A couple of years back I purchased the score for Finnissy’s piano collection English Country-Tunes, a beautiful score and equally arresting music. The first time I listened to it it deeply terrified me. Following that, and following along with the New Complexity composers, I purchased Ferneyhough’s Lemma-Icon-Epigram. Another stunning piano work. (And one, equally, I’d never be able to play.) Since then I’ve purchase a couple of other beautiful modern scores.
To the left are his four solo albums released after leaving Roxy Music. They felt a logical progression of rock to cerebral to meditative to a fusion of them all. The right of that above are the two (early) collaborations with Robert Fripp. The music is equal parts each musician. Below that, his first four “ambient” albums. Process music (like much of the 20C modern music I listen to) but as wallpaper as opposed to foreground. The lower left, in the middle of his early ambient works, is the album with David Byrne. Also process; not wallpaper.
I never wanted to have so many pictures of him, but this is an acceptable exception.
34 counts of falsifying business records in the first degree and conspiracy. All felonies (because of the “first degree”).