Orchestral Study #6 (space) – An Echo That's Reversing

Six months. It feels like a milestone.

I wanted to work through a sonorist piece that emphasized texture over melody. Threnody is the canonical example, but there are many directions you can go by subverting the concept of harmony or rhythm. I couldn’t get close to there and probably never would but the ideal gives you creativity to find your route.

The idea of the opening bright harmonic declaration was there from the start. I don’t think I had an overall structure in mind but rather some germinal ideas, many of which didn’t make it into the final score. Honestly, I’m not sure the final structure holds together because I walked around through so many different themes so inconsistently, but it still feels like a whole. There’s an inconstant consistency.

This is the first time I ran against limitations of the scoring software’s playback not matching the intent of the score. I need to get high quality samples and maybe move on to mixing each part. This is a long way from Study #1.

Much of this grew very naturally and I feel like I could be more expressive in this style. There were several ideas that just-did-not-work, but the immersiveness felt natural. I didn’t go far enough.

The fact that felt more acute this month: with a fixed time frame, it’s difficult to know when you are done, when the piece is done. It makes an artificial constraint on the arc of emotion you’re trying to achieve and may rush any interesting sequences that could be elaborated on. Obvious. But each instance of compromise is different.

Six months?

Next up is uncertain; the other months were not. Previous months I had a task queued up (variations or vivace or lyric) but not now. I’m out of the country for a week, so maybe it’s good to turn off and wait for the next impulse.

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