An Echo That's Reversing

The value in writing a complex rhythm such as, say, a dotted quarter followed by a dotted eighth followed by a dotted sixteenth, is not for the exactitude of the performance but for the communication to the performer that these are all notes of diminished length that should feel like dotted notes. That is: notes that have not-quite-finished and are expecting another note to rhythmically appear just before the end of their time.

After finishing the symphony and writing nearly every day for nine months, I felt a loss. I quickly moved to getting the audio cleaned up in Dorico and so the loss was brief. Finishing the audio, I enjoyed resting for about a week before feeling restless again and so, not wanting to force anything but wanting to get back to writing, I waited for inspiration.