An Echo That's Reversing – Page 30 – more discussions on the Fine Arts, current events, programming, and what-not

Coronavirus – Wed 22 Apr 2020 – Shut it down

screen cap of Trump administration has many task forces — but still no plan for beating covid-19 from The Washington Post on Sat 11 Apr 2020

Red Sonja comics, Volumes 1-3

Updated 27 May 2020 with Conan collections

I’m not sure where but I’d seen covers of old superhero comics recently and, though I read mostly sci-fi comics growing up, it made me nostalgic for some classic 60s/70s pulp art cheese. Enter, somewhat unrelated, Comixology. I had resisted them in the same but greater way that I resist ebooks: physicality is important and especially so with art. However, also as with ebooks, for much of what I purchase physicality is not needed because some of the books are more… ephemeral? In other words: some are worthy of taking up space on a shelf and others not so much.

Three Pieces for Orchestra

Audio exported from MuseScore:

Score exported from MuseScore:

three-pieces-for-orchestra

Audio mixed and exported from Dorico (14 May 2021):

Audio uploaded to YouTube with cover art (15 May 2021):

Cover: Andrew Kosten, Ghosts, 2015

“in this time of quarantine”
the djinn
breathe

The first one comes from a comment someone had made on Twitter that, though simple enough, felt resonant when given its own context. It stuck with me unexpectedly so I never bookmarked the source. The second is from a parable by Howard Taylor (which I referenced here a few weeks ago) regarding the cost of our responsibility to others. The last is both a hopeful and not hopeful outcome.

After obsessively listening to the New Complexity pieces, I realized that I haven’t gone far enough into the atonal world. Although much of New Complexity is tonal-ish, the extreme range was creatively inspiring and I tried to go as far as I could with that approach for “quarantine”. That section is also a stretch towards the “tapestry of sound” described by Piston for when many simultaneous voices work with drastic melodic contrast. It’s our unnerved disbelief at what we’re in right now, responding with nervous laughter. That moves on to a piece, “the djinn”, emphasizing primarily rhythmic contrast across voices. It’s the destructive, will-less bouncing of contagion. Finally to a harmonic/rhythmic consonance, but that’s ultimately bruised by what occurred previously.

(This is exported from Musescore and I’m working on the cleanup in Dorico.)

Updated 30 min later: Speaking of New Complexity, I just picked up the mail and my copy of Finnissy’s English Country-Tunes was delivered. (Pic added below.)

first page of *I’ll give my love a garland* from Finnissy’s *English Country-Tunes*

Coronavirus – Sat 11 Apr 2020 – Stultification

I realized I hadn’t written in a week or so. I need to witness for myself and I’m not really sure why I paused. Maybe the stories start feeling all the same? Trump catastrophe after Trump catastrophe? Maybe we’ve settled in and a pandemic is boredom? That’s wrong: the weekly offenses are unique and my experiences are unique.

Catastrophes mount, this is Sat 11 Apr 2020:

Unemployment, rescue, bailout

Chart from an NYT article showing our current possible unemployment rate (numbers come in later) with previous back to 1930: