Work on the piece has been slow but satisfying. Well, unsatisfyingly slow but what little has been produced lets me see a way forward. I’ve become much more tonal but am using the structural and procedural techniques that I used in Figures to organize that tonality. And I have better headphones good god the sound was awful for several years.
While hunting for different editions of the Barbarella comic, I came across a rarity from Virgin Record Stores in the UK from 1981. Around that time, the second collection of Barbarella comics, Le Coleres du Manges-Minutes, was released in various editions internationally and Virgin Records printed a four-issue series in English under the title The New Adventures of Barbarella (this title was also used in the German Heyne editions a decade earlier with Die Neuen Abenteuer der Barbarella). Those Virgin Records publications had become my white whale in both their rarity and cost. Rarity being the biggest barrier because for a while I could only find visual records of their existence and none for sale. Eventually, I pieced together numbers 2, 3, and 4 for a decent and not embarrassing price. The cost of my collection as a whole is embarrassing, but only for a few editions am I actually uncomfortable confessing how much I paid.
But still the Virgin Records issue number 1 was elusive.
April 2020 I participated in my first online auction. The item I was after (and won!) was the original art used on the cover of Asimov’s Lucky Starr paperbacks from the late 70s. Today, I’m in the middle of another auction, this time for a beautiful portfolio of Barbarella prints signed by Jean-Claude Forest. No. 543 of 777 produced. It’s listed at €60 – €80, but based on how the first 70-or-so lots have gone so far (2 hours in) it will be much more than that. Auction started at 8 AM and at this rate my lot won’t come up until later this afternoon. I’ve set hourly alarms to remind me to check the progress.
Back in October of last year I started collecting different editions of the Barbarella comics. As my collection grew and my personal documentation–by language, year, format–expanded, I decided to create a public website to share all of that information, along with details from items I don’t own, and so created The Barbarella Library. The website is a work-in-progress because, as I’ve found while chasing various and more rare editions, Barbarella has an unexpectedly rich bibliography.
The comics, written by Jean-Claude Forest, first appeared in eight chapters from 1962 to 1963 in the French magazine V and then collected and published in 1964 by Le Terrain Vague in oversized hardback. Eric Losfeld was the publisher of both the magazine and the book. The stories were first translated in English in 1965 and 1966 in the American literary magazine Evergreen Review–along with works by writers such as Jack Kerouac, Samuel Beckett, and Alain Robbe-Grillet–then compiled in an oversized hardback edition. Both magazine and book were published by Grove Press.
A month or so ago a picture from one of the Barbarella comic books came across my feed and it was graphic design catnip. There was an unexpected clarity from something I would have expected to be garish at best. I’ve learned that there is a legacy that she has left that is more respectful and appreciative than I would have thought. I mean, how can I be blamed…
