22 March 2015
Posthuman dystopia
I'd recently read Blindsight by Peter Watts after my Kindle recommended it and the content of the reviews suggested I would like it (correct and correct). It's a posthuman sci-fi novel about a small group of enhanced humans sent on a decades-long journey to investigate an alien presence at the outer regions of the solar system. Throughout, there's a sense that humanity has reached a dead end. As people with means alter themselves with enhanced abilities--man/machine interfaces, multiple consciousnesses in one person, neuro-physical updates--un-altered "baselines", without the ability to keep up against an advanced society, hook their brains up to a virtual world called Heaven. Once in, they abandon any emotional bond to those they left behind. One particularly odd aspect of the novel is that vampires exist as an extinct offshoot of humans. They have been resurrected and though there is a detente of sorts, they are so far advanced in intelligence and ability that even the most enhanced humans are like children. To trump even this level of insignificance, the aliens the crew encounter are orders of magnitude more adept than even vampires.
I've since started the sequel titled Echopraxia (which means "the involuntary repetition or imitation of another person's actions"). I'm 50-or-so pages in, but the grimness is the same. The action takes place on Earth where a group of hive mind Bicamerals push the boundaries of invention but cannot explain how they achieve it. It's another example of humans becoming so far from equal that there is no longer a single humanity. Non-Bicamerals are as threatened by them as baselines by the transhumans. Similar fears have been echoed in Bacigalupi's The Windup Girl (and his even more stunning and depressing short stories Pump Six), Rajaniemi's The Quantum Thief trilogy, and even somewhat in Atwood's Oryx and Crake trilogy. Notably, Watts is a marine biologist, Rajaniemi a mathematician and programmable DNA entrepreneur, and Atwood a developer of remote robotics.
Contrast these with Vernor Vinge's Rainbows End (read at the same time as Oryx and Crake). Though he deals only slightly with posthumanism, he shows the tension of modern, augmenting technology. Rainbows End has all of the aspects of a dystopian warning--aggressive emergent AI, near 100% surveillance state monitoring, the physical destruction of all books in order to digitize--yet he somehow offers an optimistic message in the end. Ever the singularitanist. Or maybe the realist. Still, sci-fi is not about what will happen; it is simply plotting a straight line with a few of the data points we currently have. Sometimes it's a warning, sometimes a hope.
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